Products

OLDMAN Fuzz
OLDMAN Fuzz
SHAPER Analog Tone Filter
Sometimes your tone doesn’t need more gain. It needs a completely different shape.

SHAPER is a fully analog tone filter designed to take a familiar instrument sound and push it into a different space.

Narrower.

Smaller.

Sharper.

Stranger.

And sometimes exactly what the song needs.

Not an EQ. Not a modeler. A tone-shaping instrument of its own.

Three voices

SHAPER gives you three distinct analog filter characters.

HORN

Focused and mid-forward.

A compact voice that pulls attention toward the center of the spectrum and gives riffs or melodic lines a different place in the mix.

PHONE

Narrow, direct and unmistakably filtered.

Think old telephone lines, small speakers and deliberately restricted bandwidth.

Perfect when a full-range guitar sound is simply too polite.

RADIO

A more extreme tonal perspective.

Thin, colored and intentionally unconventional — useful for parts that need to feel like they are coming from somewhere else.
GLOWBURN Analog Overdrive
Warm when you want it. Aggressive when you ask for it.

GLOWBURN is a fully analog overdrive built around the character we love in classic drive circuits — warm harmonics, musical mids and the feeling of an amplifier being pushed just a little harder than it wants to be.

But GLOWBURN isn’t here simply to recreate the past.

It was tuned to feel open, controlled and alive under the fingers.

Classic overdrive DNA. Shaped for the way we want to play today.
BOOST 20 dB Mini
Clean gain. More presence. Nothing in the way.

BOOST 20 dB Mini is a compact, fully analog clean boost built to make your existing sound bigger, stronger and more present — without replacing it with something else.

Up to +20 dB of clean analog gain. Your sound stays yours.

Whether you need to push a tube amp harder, bring a solo forward or simply strengthen the signal before the next pedal, BOOST keeps the job simple.

What it does

adds up to +20 dB of clean gain

Shape it further

The filter control lets you change how strongly the selected voice affects the signal.

That means the modes aren’t just three fixed presets.

They are starting points.

You can move from a relatively open filtered sound toward something much narrower and more dramatic.

LEVEL then lets you place the effect where it belongs in your signal chain without the tonal transformation automatically deciding the output volume for you.

Why use it?

Because not every guitar part needs to sound huge.

Sometimes you want to:

make an intro feel smaller before the full band arrives
create contrast between verse and chorus
build layered guitar parts without stacking identical frequency ranges
make a rhythm track cut through differently
create a vintage communication-device texture
turn one guitar into something that no longer sounds like “just another guitar”

SHAPER is especially useful when arranging music.

Instead of adding another effect on top of your sound, you can simply remove the frequencies you don’t need and let the part occupy its own space.

Less spectrum can create more character.

No digital shortcuts

There are no impulse responses.

No speaker simulations.

No presets.

No screen showing you what the pedal thinks an old radio should sound like.

The transformation happens with real analog filtering inside the circuit.

And you hear the result immediately.

HORN / PHONE / RADIO Analog frequency shaping Variable filter character Independent output level Hand-built in Ukraine

Start with a push

Keep DRIVE low and GLOWBURN becomes a warm front end for your amplifier.

It can add:

presence
harmonic richness
light compression
additional push
a little more urgency under the fingers

This is where GLOWBURN can live as an always-on part of your sound.

Then let it burn

Turn DRIVE further and the pedal moves naturally into a richer, more saturated voice.

The low end stays controlled.

The mids remain focused.

The top keeps enough definition for chords and picking dynamics to remain clear.

Not fuzzy. Not loose. Not buried.

Just a musical overdrive that reacts to the player.

Three controls. Nothing extra.

DRIVE

Controls the amount of gain and saturation.

TONE

Shapes the balance between warmth and bite.

LEVEL

Sets the output and lets you decide how hard the next stage of your rig gets hit.

Use GLOWBURN as

a warm boost before a tube amp
an always-on foundation
a rhythm overdrive
a main drive sound
a gain stage before another pedal
a way to add focus without losing the identity of your guitar

The goal wasn’t maximum distortion. The goal was the point where the guitar starts feeling better to play.

That is where GLOWBURN lives.

Fully analog DRIVE / TONE / LEVEL Carefully tuned analog clipping Hand-built in Ukraine

preserves the natural character of your instrument

works equally well with guitar and bass

can push an overdrive or tube input into a more responsive range

helps compensate for level differences across a pedalboard

One knob. Many uses.

Turn it down for a subtle lift.

Move it further for more presence and authority.

Push it hard when you want the next stage of your rig to react differently.

There are no modes to select and no menu to learn.

You decide how much more you need.

Where it works

Before an overdrive — for more saturation and response.
Into a tube amp — to push the input harder.
For solos — to move forward in the mix.
In a complex pedalboard — to restore or balance signal level.
With bass — when you want more level without changing the basic character of the instrument.

A good boost shouldn't tell you what your tone should sound like.

It should simply give you more of it.

Fully analog signal path Up to +20 dB boost Single control Hand-built in Ukraine